The job of a bio link is still “tap here.” The page on the other side does not have to look like a vending machine. These people are fictional.
The product page is link in bio. Creators and musicians have their own starting points: creators,musicians.
Rio’s page is the width of a phone on purpose. Latest film, then the places he actually posts.
Rio Hale
Short films about ordinary nights
I walk around with a small camera and wait for the steam, the bus lights, the joke someone almost told. Weekly pieces from Los Angeles kitchens and sidewalks.
YouTubeOrdinary Nights — “Steam on 3rd”@riohaleThe weekly night walkNot a vlog. Not a brand. A stack of three-minute films about the part of the day after the work lights go off and before anyone has decided to go home.
Rio Hale is a fictional demo. His profile headline is “Short films about ordinary nights.” The blocks on this demo, in order:
Sora’s page still has links. They are not the first thing you see. The record is.
Sora Nakamura
Songs for rooms that still have the lights on
Guitar, voice, and a four-track that has heard every version of Late Light. Osaka-born, currently writing in rented kitchens between tours that are still small enough to pack in a car.
ListenLate LightAlbum · 2025 · 9 songs
YouTubeKitchen Tape — “Second Kettle” (live)Oct 3 — Room 8, Osaka. Oct 18 — a bookshop in Kyoto that still lets you play after closing. Nov 2 — a kitchen show in Shimokitazawa, twelve people if we are lucky.
Sora Nakamura is a fictional demo. His profile headline is “Songs for rooms that still have the lights on.” The blocks on this demo, in order:
Nia’s bento is a link-in-bio that still behaves like a studio site. Cards have size.
Nia Voss
Identity, objects, and the rooms they occupy
Independent designer in Brooklyn. I make identities that can sit on a shelf as well as a screen — books, lamps, marks, and the paper they begin on.
A small practice. Brand worlds, objects, and the analog studies that keep both from going glossy.
2025
Identity and a cloth-bound brand book for a lighting studio that still pours plaster in-house.
2024
A poster series of rust, cream, and charcoal. No slogans. The shapes had to hold a wall on their own.
2025
Bone glaze, olive foot, a shade that does not try to be a sculpture.
Nia Voss is a fictional demo. Her profile headline is “Identity, objects, and the rooms they occupy,” and the bio places the practice in Brooklyn. The blocks in that demo, in order:
No. Rio Hale, Sora Nakamura, and Nia Voss are fictional demos. The blocks named on this page are the ones in those demos. They are not customer stories.
No. SayHi does not embed Instagram, TikTok, or YouTube players. Instagram and TikTok blocks are links with the context you write, and the feed stays on those apps. A YouTube block is a still and a title that opens the video.
The public address is sayhi.page/yourname. Custom domains are not available. These three studies are fictional demos of that kind of page, shown on the Creator, Musician, and Bento templates.
The three studies on this page list them in order. Rio Hale’s first block is the YouTube title Ordinary Nights — “Steam on 3rd”. Sora Nakamura’s first block is the Spotify title Late Light. Nia Voss’s first block is the text heading Studio Voss.
The bio URL opens one page: name, work, and links at sayhi.page/yourname.
A mobile-first page for the bio link you want people to open.
The record first, then shows and links. Listen cards go out to Spotify or YouTube.
The URL on a social profile, and the page behind it: a name, one piece of work, the other profiles, and a way to reply.
Fictional people with real layouts: developer, photographer, musician, designer, creator.
A fictional record-first page: Late Light, two stills, a live tape, three dates, and booking.
Type a name, a bio, and the links. Preview a page. Open it in the studio.
One designed page for a personal homepage: bio, work, projects, and a URL.