Julian Adeyemi
Narrative films and the quiet labor behind them
Director and cinematographer. I make fiction that still has dust in it, and documentaries about second jobs. London, with long stretches on the road.
Harbor Light
2024
A 22-minute fiction about a night ferry that does not quite make the other side on time. Shot on 16mm. Premiered at a regional festival that still prints programs.
Second Shift
in progress
A documentary about people who lock one workplace and open another before dawn. Interviews, then the drive home.
YouTubeSelected scenes, 2022–2025On looking
I am not interested in glossy darkness. The studio look here is about remaining quiet enough that a face still has somewhere to sit.